Film library » 2024 » EXPERIMENTAL » Film details
1/4
Sometimes I Hear the Light Leak in Through the Corners of My Room - still #1
2/4
Sometimes I Hear the Light Leak in Through the Corners of My Room - still #2
3/4
Sometimes I Hear the Light Leak in Through the Corners of My Room - still #3
4/4
Sometimes I Hear the Light Leak in Through the Corners of My Room - still #4

Sometimes I Hear the Light Leak in Through the Corners of My Room

NY Premiere

Director: Jeremiah M. Carter

United States, 2023, 9 min

Shooting Format:Super 8

Festival Year:2024

Category:Experimental

Genre:Drama

Cast:Pamela Torres, Rupert Fennessy, Meghan Mullane

Crew:Writer: Jeremiah M. Carter. Producers: Sarah Viviana Valdez, Jeremiah M. Carter. Director of Photography : Izzy Leung; Production Design: Geraldine Vargas; Music: Kelby Clark; Assistant Director : Peter McCormack; Assistant Camera : Conor Williams; Production Sound: Thomas Carney, Peter McCormack, Jeremiah M. Carter; Editor: Jeremiah M. Carter; Foley: Jeremiah M. Carter; Sound Design: Jeremiah M. Carter; Colorist : Sarah Viviana Valdez; Finishing Editor : Sarah Viviana Valdez; Re-Recording Mixer: Ben Greenberg; Supervising Sound Editor : Ben Greenberg

Email:carter.jeremiahm@gmail.com

Web:www.dearaustintown.com/sometimes-i-hear-the-light-leak-through-the-corners-of-my-room/

Synopsis

Heartbroken, Madeline goes out on the town ruminating on the cyclical nature of love. She passes from one thrill to another looking for answers. Relationships come and go but memories are forever.

Trailer

About the director

Jeremiah M. Carter is a writer, director, and musician from Nashville, Tennessee working between Brooklyn, New York and Austin, Texas. Jeremiah has composed multiple albums released throughout the world and has directed three short films.

Website Filmography

Filmmaker's note

Me and Pamela Torres met in August of 2022 during her last semester at the Strasberg Institute. It was clear from the beginning that we wanted to work together so I found a small crew willing to be malleable and shoot entirely on location. As a team we constructed this story on random days we all had off over 9 months. The story continued to evolve and blossom as we shot. We were lucky to be able to work with Rupert Fennessy for one day. This project is shot entirely on super 8, which, with its impressionist qualities, catered beautifully to the story.

Related links